الفهرس 
Shaping influences on Baraka as a dramatistOnly 14 pages are availabe for public view
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Abstract
Protest agaist white oppression has been a major objective of black theatre from its early beginning until it reached its culmination in the sixties. It could be traced throughout the fifferent phases of black theatre development. The latter part of the 19th century witnessed the first sign of protest against white masters thought the minstrel show which satirized them.