الفهرس 
الفصل الاوليوجد فقط 14 صفحة متاحة للعرض العام
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المستخلص
an introduction: The art of installation in a vacuum depends primarily on the space, and what is meant here is the real vacuum that constitutes the general area of the artistic work, and connects all the elements of the work within a single spatial space, and gives the viewer an opportunity to permeate that work, and create between him and the elements that make up it an experience that arises through the situation. The aesthetic incident while receiving the message intended by the artist. The art of installation in space is an artistic trend whose historical roots extend to the creativity of the arts of ancient civilizations, especially in the spatial systems of religious architecture. Religious architecture in ancient Egyptian civilization and the idea of resurrection after death had a great impact on various fields of art, which were included in the spatial systems. The statues of gods found in... Arrays in front of the walls of temples on which the story of the king’s life and victories are depicted. These matrices qualify the interior spiritually and ideologically as the Holy of Holies. As well as in the “Abu Simbel Temple” in city Habu, the funerary temple. The current research deals with installation in space in its general concepts and not as an artistic trend reflected in the reality of a specific culture. Thus, the concept of artistic work prepared in space is nothing but a trend that has been addressed in a number of conceptual dimensions that fall within the conceptual dimensions of installation in space in general. the research Problem : Integrating sculpture with the visual in the art of installation in space has distinctive creative formulations that require study to clarify those intellectual and expressive aspects, and to clarify how painting and sculptors approach the art of installation in space, and what are the formulations they presented that were unique in this aspect from the rest of the laws in other fields, which It raises the following question: What is the possibility of arriving at expressive dimensions and aesthetic concepts that link installation in space with contemporary painting and sculpture? Importance of the research : The research proposes a number of plastic solutions for installation in space as an actual reality that people experience and as an essential component of installation. Thus, the concept of installation in space expands to emerge from the exhibition halls into the social reality. 2 - The research enriches the works of installation art in space based on painting and sculpture with new expressive values. 3 - Providing the field of composition in installation art in the space based on painting and sculpture with new intellectual sources through studying contemporary artistic works that reflect the Arab heritage and environment. Objectives of the research: The research sought to achieve the following goals: 1. Revealing the development of artistic expression in the art of installation in space and its relationship to painting and sculpture. 2. Clarifying the creative aesthetics resulting from the combination of painting and sculpture in the art of space installation 3. Confirming the standards and creative foundations of artistic expression in installation art in space based on painting and sculpture. 4- Analyzing the dimensions of artistic expression and the various aesthetic concepts of installation in space based on painting and sculpture. research aims : The research adopted the following hypotheses: • There is a possibility of arriving at expressive dimensions and aesthetic concepts that link installations in space with contemporary painting and sculpture The Thesis was divided into four parts as four chapters, which are as follows: Chapter one: the general framework of the research In that chapter, the researcher presented the background of the research, and presented the research problem in the form of a question as follows: Is there a role for modern sculpture in preserving the Egyptian identity? The previous studies related to the subject of the research. Chapter Two: Variables of installation in space and its relationship to peainting and sculpture The researcher addressed the study of the following important points: The philosophy and concept of installation art in a space based on painting and sculpture - Modern variables and their relationship to installation art in a space based on painting and sculpture - The basic structure of installation in a space based on painting and sculpture - The philosophy of installation in a space based on painting and sculpture - Steps Preparing the artwork prepared in the space based on painting and sculpture - characteristics and characteristics of the artwork prepared in the space based on painting and sculpture - Types of artistic work installed in space based on painting and sculpture - Artistic movements influencing the emergence of installation art in space. Chapter Three: A study of the aesthetic and structural concept of installation art in space. The researcher addressed the following important points in the study: the aesthetic concept as a value for installation art in space - the development of artistic expression and its connection to installation art in space - artistic expression and its connection to installation art in space in the twentieth century - the aesthetic concept of artistic expression through installation art in space across - The aesthetic and constructive concept of installation art in a space based on painting and sculpture - The constructive concept and its foundations of installation art in a space based on painting and sculpture - An analysis of the structural foundations of installation art in a space based on painting and sculpture. Chapter Four: Research Experiment, results and recommendations : Using the experimental method and based on what was reached in the theoretical framework of the research, the researcher conducted a self-experiment consisting of twelve sculptural works executed from chocolate, the content of the works related to the content of children’s cartoons and their favorite cartoon characters. In this chapter, the researcher dealt with a technical and aesthetic analysis of her personal experience, reviewed the results of the research, mentioned some suggested recommendations, and also reviewed the Arabic references, foreign references, and websites on the international information network used in the research. Using the experimental method and based on what was reached in the theoretical framework of the research, the researcher conducted a research experiment that aimed at the following: Identifying the features of artistic expression in installation works in the contemporary Kuwaiti space - Identifying ways of artistic expression in installation works in the space based on painting and sculpture as enriching elements for artistic expression. Kuwaiti. Developing approaches to creating plastic formulations in the art of space installation based on painting and sculpture and benefiting from Kuwaiti heritage to enrich Kuwaiti artistic expression in a contemporary style. Revealing the role of technology in enriching installation art works in contemporary Kuwaiti spaces. Integrating and including painting with sculpture in the art of installation in space. Finding the plastic relationships between painting and sculpture in a work of installation art in the Kuwaiti space. The aesthetic relationship to the concept of mass and space in installation art works in space in Kuwait. Combining materials to enrich the art of installation in the contemporary Kuwaiti space - Inspiration from the Kuwaiti cultural heritage in the works of installation art in the contemporary Kuwaiti space. The results of the research were reviewed, including Formation in the art of installation in space based on painting and sculpture carries an idea that the artist embodies with the material, putting all its plastic and expressive aspects in a way that enriches the artistic and aesthetic values on the blocks, surfaces and spaces of the artistic work. She mentioned some of the proposed recommendations, including: the necessity of holding many seminars and enrichment lectures that emphasize the importance of installation art in the existing space of contemporary Kuwaiti painting and sculpture. At the end of the chapter, I reviewed the Arabic references, foreign references, and websites on the international information network used in the research.