الفهرس 
Introduction
Chapter I: Inscriptions on the Bahri mamluk monuments in the Mamluks’ DesertOnly 14 pages are availabe for public view
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Abstract
The important aims of the study pointed in the following points:
1- Shed light on the architectural and archaeological and touristic importance of the Mumalks desert area in Cairo generally as one of the main destination, essential resource in Islamic Egypt and showing the archeological guidance material that contain these texts and excretion the importance of it in the touristic guidance field
2- Introducing the various and different monuments of Mumalks desert and showing different functions and purposes for every monument specially the one that looks similar in their designs which make confusion for some people because of the label so when it labeled as a mosque and that Khanqakh and other a school and so on.
3- Increasing the archeological and guidance awareness at the citizens and touristic guides for exaltation the role of Cemetery of Mamluks Desert an archeological touristic importance where shedding the light on activeness areas like this full of monuments that ossification its deference and caring for it and takes benefit of it and that’s a main aim for the touristic guidance.
4- Identify the types of various scripts and it’s development stages and the differential of every kind of it and it’s prosperity period and the effects that came up with it beside knowing the kinds of the raw materials that used in registering inscription on the monuments of the roads of that area and specify the other kinds used in every era.
5- Discussing the titles in the archeological inscription with the monuments of the study and it’s prosperity in social life in its era.
6- Studying the contents of these inscription that help us in imagining the economic and politician status in different construction eras.
7- Insertion this area and it’s monuments inside touristic programs for the biggest tourist companies.
8- Make it easier for the tourist guides for reading scripts and knowing its meaning and know the difference between inscription fonts where it noticed that a lot of tourist guides from faculty of Tourism and Antiquities don’t make any attention to these inscription which makes it important to focus on these inscription as well as the existence of the experts in it where these inscription present good guidance material for what it includes of important information about monuments.
9- Introduceing suggestions for developing mamluks desert area and assignment its monuments and guideposts in touristic guidance field as an important destination and resource of attraction for cultural and traditional tourism and makes it as an open museum.
The conclusion
1- Counting and registry of 41archeological inscription in the cemetery of Mamluks desert, and this counting includes archeological description for these inscription through it we can stand on the date of every writing and its meaning and its font and its location in the monument and its shape and dimensions and material and execution mode in addition to its penman’s name if exist or the artistry school that belongs to with publishing (320) photographic represent the models of the Islamic building handinscription in cemetery of Mamluks desert taken by the researcher form the site of these buildings in addition to number of photographic that publish for the first time.
2- The study proved a new view for the program distribution of the inscription in Islamic buildings in the cemetery of Mamluks desert by the analytical study for the contents of these texts summarized in that it was a true translation for the Islamic mind and a clear echo for stable Islamic belief in Muslims soul what makes a clear effect on artistic view at Muslim artists in general.
3- The study confirm on research correction for some writing texts in some domes where most of the resources and the references mentioned the full inscription inside the domes whether it’s a band writing around the base of the dome from the exterior such as the dome of the prince Yashbek by publishing the Quranic text , and the inscription band around the walls of the dome from the interior by publishing the Quran text that contain verses of Surat Al Fattah and prayer on the Messenger of Allah too, and publishing the inscription around the walls of the dome of prince Qurqumas AlSayfi from the inside by publishing the hole upper half where some references mentioned Quran text only, and also published the part concern the Burdah in the lower text in the dome.
4- The study clarify the mix and the hesitation that regnant most the art and archeology references generally during the treatment of the inscription of the Islamic archeological buildings after its Kufic stage where in most of these references and studies the term Naskh is used, nevertheless the right term is thuluth jeli.
5- The study point out to different spots that written on it the inscription of the cemetery of the Mamluks desert like the facades, the doors, the minarets, inside the complexes around the archs, windows and corner bends and around the Mihrab and around the domes and on the wooden ligament and others.
6- Publishing some texts for the first time that no research has discussed it before for example the text around the wall of the dome of the Sultan Qansuh Abu Saeed and the text of the Minaret of AlAshraf Qaytbay from the interior and publish many Quran texts especially in Mamluks bahary era.
7- The research corrects some written texts that had been read by the orientalists or the researchers as the written text for the entrance of the Khanaqah Sultan AlZahir Barquq.
8- The Thuluth style occupies the place of the lead in the memorial inscription on the Islamic monuments and tombstone in inscription of the Mamluks era.
9- The study confirm the conditions of the available area in some sculpture that caused the accumulation of the words at the end of the sculptures like the upper written Band at the dome of the prince Qurqumas.
10- As for the inscription on the tombstones in the Mamluks era, still the Thulth style remains the preferable style in writing the tombstones, but in the Ossoman era both (the thuluth and nastaliq style )spreads, and the study confirm existing both inscription side by side on many tombstones.
11- According to what studied from the tombstones, become clear that most used of the raw material was the marble material then the limestone material especially in the Mamluks era where the limestone material was the most material used like the tombstones of Khanaqah Faraj bin Barqouq, marble comes next, but in the Ottoman era the marble only used.