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العنوان
أثر الحياة الاجتماعية على النحت الجداري بمعبد الكرنك ودورها في ابتكار منحوتات جدارية معاصرة /
المؤلف
حجازى، مروة مصطفى محمد متولى.
هيئة الاعداد
مشرف / مروة مصطفى محمد متولى حجازى
مشرف / سلامة محمد على
مشرف / محمد ابراهيم رجب الشوربجى
مشرف / نرمين ممتاز محمد مصطفى
مشرف / ابراهيم أحمد السيد
الموضوع
النحت الجدارى - الحياة الاجتماعية - معبد الكرنك.
تاريخ النشر
2013.
عدد الصفحات
415 ص. :
اللغة
العربية
الدرجة
ماجستير
التخصص
تربية فنية
تاريخ الإجازة
14/8/2013
مكان الإجازة
جامعة المنصورة - كلية التربية النوعية - قسم التربية الفنية
الفهرس
يوجد فقط 14 صفحة متاحة للعرض العام

from 415

from 415

المستخلص

The research to try to understand the variables in the social life of the temple of Karnak Despite the strength of the impact of the natural environment on them, but the human interaction with them led to the Innovation Achievements of material, has become a data environment interacting with him, in turn affect the intellectual trends and natural empathy for humans to yield concepts and achievements new, and mutual interaction between the environment and human makes the concept of a dynamic environment, and the meaning of the interaction here that the artist an impact on environment, Vtaaudh the environment and in which he talked accompanying impact.
The researcher has resorted to the descriptive and analytical method and the experimental method to validate the research hypotheses. The search included four chapters as follows:
The first chapter: General framework of the research
Dealt with the researcher which identify and study the following points - Introduction: The Egypt has since ancient geological ages ingredient natural environment and the elements necessary to establish a civilization of local ancient and these environmental elements may turn influenced the oldest breeds of human that has settled on the land of Egypt, also influenced the emergence of the ancient Egyptian civilization and contributed to thegrowth thanks to the ancient Egyptian artist effort Thus, there is a rich Egyptian artist to identify the various factors which had a clear impact, such as the nature of Egypt and its impact on the population and on artists, which is characterized by a strong character and clarity of landmarks and the evacuation of its manifestations and regularity condition.
Thus we find that the issue of the relationship between the artwork and the roots of social life since the beginning of art and affect the value of arts and expressive, that relationship have varied with the development of technical and aesthetic concepts in every age.
The researcher also touched on in this chapter to identify the problem of the study and its importance and objectives of the study and the study hypotheses and limits of the study and its tools and the methodology of the study and the study terms and dealt with previous studies related to the subject matter.
The Second Chapter: The study of social and political life in the ancient Egyptian civilization.
Chapter II contains a study of the historical division of the ages, and historical variables, and belief in the era of the modern state and has been a researcher to study the evolution of art and architecture in the modern state, and the divine design of the temple during the reign of the modern state, and reverence for life in the architecture of the temple. The wall sculpture in the modern state, as the researcher examined the content of the wall sculpture in the modern state
The researcher found through this study that most social variables (cultural, economic, political, scientific, etc.) stunning and conflicting witnessed by the Temple of Karnak, have a significant impact on the art and the artist in ancient Egyptian civilization.
The Third Chapter: An analytical study of sculpture and its association with parietal architecture in the Temple of Karnak
This chapter Technical Analysis of the temple of Karnak in terms of location and the planning and organization of architectural elements and associated buildings in the architectural unit and plastic solutions for architectural elements and sculptures, as architectural and artistic achievement reflects the impact of the social life on the characteristics of the artwork.
It concluded the researcher of the study that the subjects sculpture wall of the ancient Egyptian accompanying social life in ancient Egypt reflects the substance of intellectual and Ojaddana can be linked to reality normal vision inherited, and can be interpreted in the light of perceptions scientific new era of technology and space, and the new idea, which kept pace with the scientific progress in the understanding of the human being and life humanity.
The Fourth Chapter: The impact of social life on the aesthetic values of the wall of the ancient Egyptian sculpture
This chapter study of aesthetic values which are reflected in the relationship artwork its surrounding environment through the mutual influence between the variables and social life and artistic beauty, and strengthen some of the concepts and philosophical and aesthetic perceptions.
Life Social its components of natural and cultural, and on both sides of material and moral, affect the sense of human Value is aesthetic is a public value merge and interact values formalism - represented in the social life of natural and availability of raw materials - and the cultural construction and social order, which is influential factors in seeps into the his mind and the same experiences and are mixed together to Preference imbued by his vision of beauty and reflected on his innovations and arts, where the difference in production due to the impact of technical environment, and this is reflected in the history of humanity Pollack ages and different civilizations
The Fife Chapter: The Impact of the aesthetics of the relationship between sculpture parietal and social life in the temple of Karnak
Included a chapter on the study describes the disclosure about the relationship between social life aesthetics sculpture parietal Temple of Karnak, draw aesthetic values in relation to ancient Egyptian art social life, the most important methods of Fine and expressive in each, and the development of standards for the relationship of the artwork surroundings to achieve a valuable aesthetic private.
Life is social Bmkontha natural and cultural rights, on both sides of material and moral, affect the sense of human, Value is aesthetic is a public value merge and interact values formalism represented in the social life of natural and availability of raw materials and cultural construction and social order, which is influential factors in seeps into the Mind and himself from the experiences and Preference blend together imbued his vision of beauty and reflected Ali innovations and arts, where the difference in production due to the impact of technical environment, and this is reflected in the history of humanity through the ages and different civilizations.
The Six Chapter: : The Experiment
Included a chapter on the experience of self of the researcher and the findings and recommendations reached through dealt with the subject of the search, Vahtoy the first part of the chapter on own experience Balbagesh which targeted attempt to verify important aspects of the philosophical and aesthetic inspired by the life of contemporary social, to develop formulations aesthetic in sculpture parietal, and take advantage of Some of the techniques of performance and configurations of the basic elements of rhythm and plate movement and singing and coloring ... Etc., and includes all of the expressive values and sensuality through the inspiration of social life and heritage.
In the second part of the chapter researcher presented the findings of the most important is that the issue of the relationship between the artwork and the roots of social life since the beginning of art affect the value of arts and expressive, that relationship have varied with the development of technical and aesthetic concepts in every age.